Film Director Hector Babenco Dies in Brazil
By THE ASSOCIATED PRESS
JULY 14, 2016, 10:39 A.M. E.D.T.
SAO PAULO — The Argentine-born Brazilian director
nominated for an Oscar for his 1985 film "Kiss of the
Spider Woman" has died. Hector Babenco was 70.
Denise Winther of Babenco's HB Films says the director
died Wednesday night of a heart attack at Sao Paulo's
Sirio-Libanes Hospital.
See also "Only Connect" and "Tombstones in Her Eyes."
Click image for a related post.
Mathematics and Narrative
(continued from April 26 and 28):
The Web
See also
Leiber's Big Time, Spider Woman, and The Eight.
In memory of a Broadway star who reportedly died on Jan. 30 . . .
A Jan. 29 New Yorker story, "Life with Spider," suggests
a look at the author's earlier novel The Variations and,
after a synchronology check, a Log24 flashback —
Thursday, September 7, 2023
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See also Fritz Leiber's rather different Spider Woman in this journal.
The above image of an 18 Sept. post commemorates a Sept. 18 death.
Related material: Kiss of the Spider Woman and Dramarama.
Today is said to be the 25th anniversary of the
opening to the public of the World Wide Web.
Related material: Click on the above icon for
posts mentioning "Spider Woman."
Happy birthday to composer John Kander, who turns 89 today.
NPR MUSIC INTERVIEWS
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* See Noonan Weimar in this journal.
Background— Why Me? and the Fritz Leiber story "Damnation Morning."
The story, about the afterlife of a dead drunk, contains an intriguing dark lady.
Related material — Search for the Spider Woman.
See also Julie Taymor in an interview published last Dec. 12 —
“I’ve got two Broadway shows, a feature film, and Mozart,’’ she said.
“It’s a very interesting place to be and to be able to move back and forth,
but at a certain point you have to be able to step outside and see,’’
and here she dropped her voice to a tranquil whisper, “it’s just theater.
It’s all theater. It’s all theater. The whole thing is theater.’’
— and search for Taymor + Spider in this journal.
Happy Shakespeare's Birthday.
For Julie Taymor on Fashion's Night Out…
This morning's post had a link to a video meditation from the director of
the 1985 film "Kiss of the Spider Woman"—
This film clip is echoed by lyrics, broadcast this morning, from Taymor's new Spider-Man musical—
You can fly too high and get too close to the sun.
See how the boy falls from the sky.
This morning's post and the "At Play" film it linked to featured class conflict and Brazilian natives.
For a more down-to-earth approach to these topics, see Fox Broadcasting's new series "Running Wilde."
From Telegraph.co.uk (published: 5:56 PM BST 10 Aug 2010), a note on British-born Canadian journalist Bruce Garvey, who died at 70 on August 1—
In 1970, while reporting on the Apollo 13 mission at Nasa Mission Control for the Toronto Star, he was one of only two journalists— alongside Richard Killian of the Daily Express— to hear the famous message: "Houston we've had a problem."
See also Log24 posts of 10 AM and noon today.
The latter post poses the problem "You're dead. Now what?"
Again, as in this morning's post, applying Jungian synchronicity—
A check of this journal on the date of Garvey's death yields a link to 4/28's "Eightfold Geometry."
That post deals with a piece of rather esoteric mathematical folklore. Those who prefer easier problems may follow the ongoing struggles of Julie Taymor with "Spider-Man: Turn Off the Dark."
The problems of death, geometry, and Taymor meet in "Spider Woman" (April 29) and "Memorial for Galois" (May 31).
Upper part of above picture–
From today’s New York Times,
Seeing Mountains in
Starry Clouds of Creation.
Lower part of above picture–
Pilgrimage to Spider Rock:
Vine Deloria Jr.,
Evolution, Creationism,
and Other Modern Myths:
“The continuing struggle between evolutionists and creationists, a hot political topic for the past four decades, took a new turn in the summer of 1999 when the Kansas Board of Education voted to omit the mention of evolution in its newly approved curriculum, setting off outraged cries of foul by the scientific establishment. Don Quixotes on both sides mounted their chargers and went searching for windmills.”
A figure from
last night’s entry,
Spider Woman:
From Sunday, the day
of Vine Deloria’s death,
a picture that might be
called Changing Woman:
Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat
in Time and Eternity
(Log 24, Feb. 1, 2003)
and
a review
of Fritz Leiber’s
The Big Time,
“Time traveling, which is not quite the good clean boyish fun it’s cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I’d hidden myself and the bottles and asked me, ‘Look, Buster, do you want to live?’….
Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.
Bordered version
of the sigil
The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar. An X superimposed on a plus sign. It looked permanent.”
— Fritz Leiber, “Damnation Morning“
For Vine Deloria Jr., who died at 72 on Sunday, Nov. 13, 2005:
Things forgotten are shadows.
The shadows will be as real
as wind and rain and song and light,
there in the old place.
Spider Woman atop your rock,
I would greet you,
but I am going the other way.
Only a fool would pursue a Navajo
into the Canyon of Death.
Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat
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